After more than forty years as a conductor and over a quarter century with Mendelssohn Club, I am honored and humbled to bring this glorious score to Philadelphia for its American premiere. Zelter, the conductor of the Singakademie, found the work too difficult to be performed in public. Instead of a children's chorus sailing over the top of the grand double-choir interchange, adult operatic voices among the vocal soloists will be in their place. Four years previously his grandmother, Bella Salomon, had given him a copy of the manuscript of this (by then all … This concert was the starting point of a Bach renaissance and established the composer his deserved place at the fulcrum of European music. MENDELSSOHN AND BACH'S MATTHEW PASSION Its Performance, Reception, and the Presence of 70 original Choral Parts in the Netherlands In this contribution to the Tijdschrift of the Royal Society for Music History of The Netherlands, I would like to focus on a remarkable event in the history of Western music: the illustrious performance of J.S. From the opening chorus of Bach's St. Matthew Passion, audiences at the Mendelssohn Club of Philadelphia performance at Girard College on Sunday will be hearing something a bit alien. In the booklet accompanying the performance, Dr. R. Larry Todd comments on the significance that the multiple interpretations of the work engender for different generations. FELIX MENDELSSOHN: Bach, St Matthew's Passion, Orchestra of the Age of Enlightenment, Roger Norrington (conductor), Queen Elizabeth Hall, London, 5th February, 2005 (AO) A premiere of St Matthew's Passion? Mendelssohn’s revival has gained legendary status in classical music history as the moment when the genius of Bach was truly recognized by the wider musical establishment.

It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias.


Here at last was a St Matthew Passion that was compatible with the 140 voices of Mendelssohn Club of Philadelphia. All of this changed when a young Felix Mendelssohn Bartholdy performed the “St. He knew of the score as one of Zelter’s pupils and as a member of the Singakademie, which had a few chorus parts from the St Matthew in its repertoire. The success of the performance – the first since Bach's death in 1750 – played an important role in reviving Bach's music in Europe. In 1829, with the backing of Zelter and the assistance of the actor Eduard Devrient, Mendelssohn arranged and conducted a performance in Berlin of Bach's St Matthew Passion.

This performance marked the rediscovery of Bach as a composer, and a revival of his works began. Reviving the St. Matthew Passion In 1829, Mendelssohn organised and conducted an acclaimed performance of Bach's St. Matthew Passion, which had by then been quite forgotten. He did this with the help of his mentor Carl-Friedrich Zelter – friend of Goethe and head of the Berlin Singing Academy.

The Netherlands Symphony Orchestra, with Chief Conductor Jan Willem de Vriend, has expanded its repertoire to cover music from four centuries. Mendelssohn was given the score of the St Matthew Passion for his 15th birthday, 3 February 1824.. From the opening chorus of Bach's St. Matthew Passion, audiences at the Mendelssohn Club of Philadelphia performance at Girard College on Sunday will be hearing something a bit alien.
Felix Mendelssohn performed Bach’s St Matthew Passion in Bellin in 1829 and 1841: on 11 March 1829, the Passion was heard again for the first time in 100 years. Bach’s ‘St Matthew Passion’: A Guide To The Sacred Masterpiece. Matthew Passion” on March 11th of 1829 in Berlin. Handwritten choir parts used in Mendelssohn's performance of the St Matthew Passion on 11 March 1829 (Berlin) and on 4 April 1841 (Leipzig) Johann Sebastian Bach/Felix Mendelssohn Bartholdy: St Matthew Passion (BWV 244, Nr. Find album reviews, stream songs, credits and award information for Bach: St. Matthew Passion (Mendelssohn Version) - Chorus Musicus Köln, Christoph Spering, Das Neue Orchester, Neues Berliner Kammerorchester on AllMusic - 1992 Matthew Passion”, BWV 244, that is generally dated to the year 1736. Yet, in my long career of teaching and conducting, the timing just never aligned with the resources required. The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. For the past five decades, I have longed to conduct Bach’s St. Matthew Passion having conducted the St. John Passion and Mass in B Minor numerous times.

Fair copy of the revised version of the “St. 15 images


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